Dr dre 2001 tracklist download

Bar One Skit ft. Traci Nelson, Ms. Light Speed ft. Hittman Forgot About Dre ft. Eminem The Next Episode ft. Let's Get High ft. Roq The Car Bomb Skit ft. Murder Ink ft. Ed-Ucation ft. Eddie Griffin Some L. Pause 4 Porno Skit ft. Jake Steed Some of the lyrics on the album used by Dre have been noted to be penned by several ghostwriters. Royce da 5'9' was rumored to be a ghostwriter on the album. Dre rapping penned verses by Royce and featured Royce's vocals on the chorus.

The tracks have been leaked later on several mixtapes, including Pretox. The album's production expanded on that of The Chronic , with new, sparse beats and reduced use of samples which were prominent on his debut album.

Dre used his collaborators during recording sessions: 'At the time, I saw Dr. Dre desperately needed something. He needed a fuel injection, and Dre utilized me as the nitrous oxide. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration.

So I'd be on the keyboards, and Mike [Elizondo] was on the bass guitar, and Dre was on the drum machine. Dre employs, stating 'Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. They carry beepers. When he wants to work, they work.

He'll program a beat, then ask the musicians to play along; when Dre hears something he likes, he isolates the player and tells him how to refine the sound. The album primarily featured co-production between Dr. Dre and Mel-Man and was generally well received by critics. Dre had expanded on the G-funk beats on his previous album, The Chronic , and stated, 'He's pushed himself hard, finding new variations in the formula by adding ominous strings, soulful vocals, and reggae, resulting in fairly interesting recontextualizations' and went on to say, 'Sonically, this is first-rate, straight-up gangsta.

Entertainment Weekly ' s Tom Sinclair depicted the album as 'Chilly keyboard motifs gliding across gut-punching bass lines, strings and synths swooping in and out of the mix, naggingly familiar guitar licks providing visceral punctuation'. The album marked the beginning of Dr. Dre's collaboration with keyboardist Scott Storch, who had previously worked with The Roots and is credited as a co-writer on several of ' s tracks, including the hit single 'Still D.

Storch would later go on to become a successful producer in his own right, and has been credited as a co-producer with Dr. Dre on some of his productions since. The lyrics on the album received criticism and created some controversy. They include many themes associated with gangsta rap, such as violence, promiscuity, street gangs, drive-by shootings, crime and drug usage.

Stephen Thomas Erlewine said that the only subject matter on the album was 'violence, drugs, pussy, bitches, dope, guns, and gangsters' and that these themes have become repetitive and unchanged in the last ten years.

Dre had differed from his effort to 'clean-up his act' which he tried to establish with his single, 'Been There, Done That' from Dr. Dre Presents The Aftermath. NME mentioned that the album was full of 'pig-headed, punk-dicked, 'bitch'-dissing along with requisite dollops of ho-slapping violence, marijuana-addled bravado and penis-sucking wish fulfilment.

Dre's return to the forefront of hip hop, which is conveyed in the singles 'Still D. Many critics cited the last track, 'The Message'; a song dedicated to Dr. Perhaps it's to ensure his control over the project, or to mask his own shortcomings as an MC, but the album suffers considerably as a result. The only difference is, there's pleasure in hearing Snoop's style, while the rest sound staid.

Song after song, there's a never-ending litany of violence, drugs, pussy, bitches, dope, guns, and gangsters. After a full decade of this, it takes real effort to get outraged at this stuff, so chances are, you'll shut out the words and groove along since, sonically, this is first-rate, straight-up gangsta. Still, no matter how much fun you may have, it's hard not to shake the feeling that this is cheap, not lasting, fun.

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Behind every iconic rapper and cult group, there is a visionary producer who learned from his predecessors and developed his own sound. In the midst of the 90s when hip-hop was going through its golden age, a revolution within soul music was also underway.